Lately, I have been collecting qualitative data from rural
communities in Ethiopia. I have discovered that participatory mapping is an
interesting way to bring the communities, scientists and local government
together to discuss issues and strengthen to the relationship between the
different stakeholder to their landscape (http://catherinepfeifer.blogspot.com/2012/06/giving-rural-communities-voice-adapting.html). During my holidays in Switzerland I
came across a not such a new concept, the landscape illumination projects by
the Swiss artist Ueli Studer (http://www.studermelar.ch/) and realized that art can catalyze in the developed world the same way the participatory mapping does in the developing world.
Ueli Studer is a Swiss artist who illuminates interesting
human made or natural landscape structures during one night, mostly with candle
light.
Viniterra, illumination project on the Biel Lake Switzerland (picture taken from http://www.viniterra.ch/index.php?id=354) |
His newest project is planned in Davos, Switzerland and I had a chance to
follow him in his preliminary steps : identifying the landscape structures that
are worth pointing out and that through illumination give a new perspective on the landscape of
the spectator.
Tot Alp in Davos : a landscape shaped by tourism |
A whole team, constituted of Ueli himself, my
father, a geologist and a film maker who documents the “making of“ took off to
the “Tot Alp”in Davos to study the geological structure of an Alp on which
nothing grows due to the mineral concentration in the soil.
The area is heavily
used for tourism : it is reachable by cabins and half of the area has been
flattened for the skiing routes and an artificial lake has been created as a
water reservoir to create artificial snow.
The artificial lake as water reservoir for artificial snow |
Also different geological layer come
together bringing white, black, red and green stones together, giving the
feeling that one has just landed on Mars. The whole day was about understanding
how the geological structures have emerged and which are worth illuminating. If
the project takes place, it will involve the local government, the transport
company that runs the different cabins in the area, the alpine club and the
trekking guides of the area (locals) that would fix and light the candle, the
tourism office that can promote an event and show the film of it to tourists.
Finally, if possible the local population should be able to see the
illumination from the valley bottom.
The geologist and the artist sitting in front of a clear geological cut |
After this day, it is very unclear if the project will take
place at the Tot Alp, mainly because no landscape structures that would
show new insight could be identified, but also because it would be difficult
to see the illumination from the valley. But with or without illumination, or
with illumination on another location, a process to bring communities,
stakeholders and scientists together around their landscape has started.
Discussing the landscape |
All previous illumination projects from Ueli such as Viniterra 1 and 2 (http://www.viniterra.ch/index.php?id=442)
have brought stakeholders, communities, farmers, scientists, tourism office and
government together. Indeed, setting the candle often requires the
authorization of the land owner, which is usually a farmer and the government.
Also many volunteers, usually the local population meets up to light the
candles. Also, a broader public can see from far away or even walk through the
illuminated landscape, admire the landscape in a new perspective and learn
about its structures. The discussions linked to the illumination of the
landscape brings people together that otherwise would have not met and
therefore shape the network and resilience within these landscapes.
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